Eleonora

A. Freccero, POMPEIAN PLASTERS. Buildings in Regiones I, V, VI, VII and IX, 2012

Agneta Freccero,POMPEIAN PLASTERS. Buildings in Regiones I, V, VI, VII and IX (The Swedish Institute in Rome. Projects and Seminars, 5:2), Rome 2012. © The Swedish Institute in Rome and individual authors.ISSN 1824-7725 CoverContentsIntroductionPlaster investigation 2012Insula V1, plasters and phasesDiscussion and conclusionsBibliographyAppendix Regio IAppendix Regio VIAppendix Regio VIIAppendix Regio V 1Tables

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Topoi, topographies and travellers. Papers of a conference at the Swedish Institute for Classical Studies in Rome, 10–12 November 2016, eds. S. Fogelberg Rota & A. Blennow, 2019

Topoi, topographies and travellers. Papers of a conference at the Swedish Institute for Classical Studies in Rome, 10–12 November 2016. Eds. S. Fogelberg Rota & A. Blennow (The Swedish Institute in Rome, Projects and Seminars, 6), Rome 2019 © The Swedish Institute in Rome and individual authors. ISSN 1824-7725 Cover Introduction & Contents Beverley Butler

Topoi, topographies and travellers. Papers of a conference at the Swedish Institute for Classical Studies in Rome, 10–12 November 2016, eds. S. Fogelberg Rota & A. Blennow, 2019 Leggi tutto »

A. Freccero, POMPEIAN PLASTERS. Insula I 9 and Forum, 2005

Agneta Freccero, POMPEIAN PLASTERS. Insula I 9 and Forum (The Swedish Institute in Rome. Projects and Seminars, 5:1), Rome 2005. © The Swedish Institute in Rome and individual authors. ISSN 1824-7725 Cover Title page Introduction Background Plaster Investigation Aims and objectives Objects of the study Problems Design of the study Methods used Variables studied Reference

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Art, Conservation, Science. The collection of antiquities at the Palazzo Lancellotti ai Coronari, Rome. The West wall of the courtyard, work in progress, eds. M. Barbanera & A. Freccero, 2005

Art, Conservation, Science. The collection of antiquities at the Palazzo Lancellotti ai Coronari, Rome Eds. M. Barbanera & A. Freccero (The Swedish Institute in Rome. Projects and Seminars, 3:1), Rome 2005. © The Swedish Institute in Rome and individual authors.ISSN 1824-7725   Cover Content Preface – Barbro Santillo Frizell Marcello Barbanera, Agneta Frecero – Introduction

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Pecus. Man and animal in antiquity. Proceedings of the conference at the Swedish Institute in Rome, September 9-12, 2002, ed. B. Santillo Frizell, 2004.

Pecus. Man and animal in antiquity Proceedings of the conference at the Swedish Institute in Rome, September 9-12, 2002. Ed. B. Santillo Frizell (The Swedish Institute in Rome. Projects and Seminars, 1), Rome 2004. © The Swedish Institute in Rome and individual authors. ISSN 1824-7725 From the very beginning of civilization domestic animals constituted an

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Roman villas around the Urbs. Interaction with landscape and environment. Proceedings of a conference at the Swedish Institute in Rome, September 17-18, 2004, eds. B. Santillo Frizell & A. Klynne, 2005

Roman villas around the Urbs. Interaction with landscape and environment Proceedings of a conference at the Swedish Institute in Rome, September 17-18, 2004Eds. B. Santillo Frizell & A. Klynne (The Swedish Institute in Rome. Projects and Seminars, 2) Rome 2005. © The Swedish Institute in Rome and individual authors.ISSN 1824-7725 Cover Foreword – Barbro Santillo

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Cecilia Olovsdotter, The female shape of conquest: visualising war, victory and dominion through the female gender in Roman art

Cecilia Olovsdotter, The female shape of conquest: visualising war, victory and dominion through the female gender in Roman art The purpose of this project, which represents the first systematic and holistic inquiry of its kind, is to explore the presence and functions of females in the triumphal art of the Roman Empire (1st–6th centuries CE),

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Cecilia Olovsdotter, Body and spirit of Victory: on the multiform conception of Victoria’s femininity in Roman visual culture

Cecilia Olovsdotter, Body and spirit of Victory: on the multiform conception of Victoria’s femininity in Roman visual culture In this project I analyse the range, variability and complexity of the goddess Victoria’s femininity in Roman visual culture, from the Late Republic through the Late Empire (c. 100 BCE–600 CE). The most disseminated and enduring of

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